In times of global crises such as pandemics, when usually all the focuses are on pandemic fears, art can work as a symbol of pandemic sympathy. Whereas it seems that art is not the priority in these times, in comparison with science, artistic productions are as essential as scientific discoveries.
The Parsagon Review’s October guest is a literary mediator between two cultures with her translations especially of contemporary Iranian poetry and prose. Sholeh Wolpé is […]
Written by Payam Yazdanjoo | Translated by: Poupeh Missaghi | Edited by: Adam Seth | Header Photo by Matteo Vegetti (c) “Bombay Rain” was first published […]
Written by Payam Yazdanjoo | Translated by: Poupeh Missaghi | Edited by: Adam Seth (c) “Bombay Rain” was first published in Denver Quarterly, Vol 48, No3, […]
“Bombay Rain” is from a collection of interrelated short stories whose protagonist and/or narrator is an Iranian living in India, bringing together elements of both […]
Born in 1953 in the South-Eastern city of Zahedan, Behzad Ghaderi should be regarded as the cavalier of Drama Studies in Iran. A peerless translator, […]
Writer and literary critic Belgheis Soleimani was born in April 1963 in a rural area near Kerman. She started her literary career as a researcher […]
Mohsen Ghane Basiri (b. 1949) is the editor-in-chief of Modiriat (Management) Monthly Journal. He is a prolific Iranian theorist and epistemologist. Ghane Basiri is the […]
Mohammadreza Ale-Ebrahim, our February 2014 featured writer, was born in Estahban in 1951 and holds a double B.A. in Training Sciences (management and planning) and […]
Born in 1953 in the Southeastern city of Ahvaz, Iran, Robab Moheb studied sociology at the University of Tehran and, after immigration to Sweden in […]
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