09 Nov

The Oasis of Now

  • Title: The Oasis of Now: Selected Poems of Sohrab Sepehri
  • Translators: Kazim Ali, Mohammad Jafar Mahallati
  • Series: Contemporary Iranian Poetry
  • Publisher: BOA Editions Ltd.
  • Release Date: October 2013
  • Language: English
  • Sold by Amazon – ASIN: B00E257USY
One should cross the river,
accompany the far horizon;
one should sometimes settle in the vein of a single

One should cross and eat mulberries from the tip of
the branch.
I was walking on the shores of Lyricism.
It was the rich season, the season of blessings.

And under my feet the sands shifted.

A woman heard and came to the window,
looking out, checking the weather.

So young and so delicately
her hands plucked the dew of minutes
from the body of death’s feelings.

I paused. The sun of Lyricism rose high in the sky.

I pondered the evaporation of dreams,
counting the number of times that branches of a
strange tree
stroke the body of the mind.

We thought we had no margins.
We thought
we were floating amidst legendary debates in the
sacred texts.

And that few seconds of negligence is our present

The Oasis of Now is the first U.S. book publication of the works of Sohrab Sepehri (1928-1980) whose education in Buddhism, mysticism, and affinities with the Western Transcendentalist poetry has saved him a peerless stance in the history of modern Persian poetry. The pieces collected in this volume, including the well-known “Water’s Footfall” are the quintessence of his vision of the universe having travelled through Japan, China, and India, where he was exposed to the arts of those countries as well as the spiritual disciplines of Buddhism, Taoism, and Hinduism.


28 Oct

Kalat Claimed

  • Title: Kalat Claimed 
  • Writer: Bahram Bayzayi
  • Translator: Manouchehr Anvar 
  • Series: Contemporary Iranian Drama
  • Publisher: Roshangaran
  • Release Date: 1984 (Persian); 2016 (English)
  • ISBN: 978-964-194-117-0



AY BANU: [Attending to the wound] 
         Your snowy treck
         Saved Kalat from famine
         But paved the path to my misery.
         What will you do for me now?

YAMAT: What would you have me to?

AY BANU: Some suggest I plunge in tears
         Wrap myself in black
         Wail and howl.
         Others, siding with prudence
         Urge me to take to flight.
         But there's a third way
         Which is my way
         The way of a wounded woman:
         To rise in arms
         Take the oppressor by surprise
         And do worse to him
         Than he did to his rival. (Pp. 100-101)


In the history of modern Iranian literature, Bahram Bayzai (b. 1938) is a towering figure who has single-handedly untertaken a wide range of activities from playwriting to directing, screenwriting, and research, to name only a few. His Kalat Claimed (فتح‌نامه‌ی کلات) was originally composed in 1982 as a play in Bayzai’s uniquely archaistic style of dramatization. An account of two generals’ dispute over the claim of a region named Kalat in time of Mongol conquest of Khwarezmia, the play enjoys Bayzai’s emblematic idealization of feminine spirit. It was first published by Damavand Books in 1984, and then reprinted by Roshangaran. In November 2016, Manouchehr Anvar’s endeavor to translate the text finally fructified after two decades, and the English version was released in 227 pages by Roshangaran, the exclusive publisher of Bayzai’s oeuvres. Although the play was never staged in Iran, fingers are now crossed for an English premiere of the piece in the U.S. where he has been living for years.

15 Sep

Books that Changed My Life: Fereshteh Ahmadi

Books that Changed My Life
By Fereshteh Ahmadi
Translated from Persian by Melika Majlesi
Release Date: September 2017, Vol.03

“Thrush in the Cage” written by Nima Youshij is the first book that I borrowed after my first library subscription. I was only ten, and with this book I felt I seriously stepped into the world of readers. Impressed by the big notebook on which my name was written and the subscription paper that my teacher had to sign, I read the book even more carefully and turned my thought to the moral point of the story. Surprisingly not long after this feeling, another book drove me towards a completely different world: “Devil in the Dusk”1. The cover showed the picture of a blond girl who was running along a street and a black car was chasing after her. I was still reading books from the ‘C’ Category2 when this book thrust me into forbidden realms. Overjoyed by the criminal love story, I left everything behind to finish reading it overnight and give it back to the owner. After a day or two, a student’s mother came to our school, smote the book on the desk and shouted,“This is the book a ten-year-old kid should read? A ten-year-older should read Parviz Ghazi Saeid?” I hadn’t paid attention to the the writer’s name, but thanks to the wrangle I started to seek and read all the books written by Ghazi Saeid. And, overnight, I kissed the world of children goodbye and entered the genre of Detective-Romance – which saved me much time.

The year after, I was reading “Amir Arsalan Rumi;” I explored the labyrinth of stories and the joy of storytelling as I told those tales to my father. He was fond of continuous stories and told them well. He had told me the tale of  “Amir Arsalan” during the long war nights when electricity was cut off, but my version of the tale  was different.  He was an enthusiastic listener and and used to waited impatiently for me to tell the rest of it the night after. “How far does the story go,” he would ask me.

The book “Justice Has Been Done” translated by Iraj Pezeshkzad (or authored, yet ascribed to a Jean Maguer) was the first novel I read. It made me a little confused. Its structure was very different from the stories I had read by then. The narrator was changed in every chapter and the adventures were not that interesting. Also the ending was not clear, or at least, not clear enough  for a person like me who was not familiar with modern stories; it was vague and confusing. Later on, when I read a book about the differences between old tales and modern stories, all the mentioned differences were true about “Justice Has Been Done”, so the book became a gateway for me to the world of modern stories. I still remember its yellow hardcover  and the amazing subtitle, saying “a novel”.

I  was able to identify with Jane Eyre; I could understand her anger, knowing that I had a hard long way to go just like her. After that, I became more interested in reading stories about women – women who stand against fate, resist circumstances that other people have conspired against them, and if they  cannot fight empty-handedly, they just leave; women who keep going and never look back until they can take the first step towards building their own future in a totally new place. Reading about Bronte sisters and their early death encouraged me to start writing quickly. It had been a while since I started writing stories and it had come to my mind that I wouldn’t have enough time. I was in haste to read all books in the whole world and to know how all the authors became authors. I would read their biographies and once I realized that Victor Hugo told his first sad story to his mom when he was four, I felt being left behind, so I embarked on reading “The Waves” by Virginia Woolf and I understood absolutely nothing! But I persistently kept reading until I finished the book and then read Charles Dickens and Jack London. I liked the persistence and intelligence of “Martin Eden” as I had found out that we had no other choice than being persistent and smart. The moment after reading Kafka’s “Metamorphosis,”I was struggling to understand the story in ways other than my own, not the meaning and the concept behind it but the way the story was created. I drew Gregor’s house plan, his room and the way characters moved, etc. Could I understand it a bit more? Nope. But I kept doing this later on because I enjoyed it and it made me remember the story with details. Today I know that it is a very efficient method to untwist a story into its constituent parts. I went on with considering “The Waves” as a serious challenge and later when I read Woolf’s other books, such as “A Room of One’s Own”, I came to the realization that I liked this woman and her description of female classic writers as “grandmothers of our literature today” made me feel more connected to a nucleus, to some people, and to a certain emotion or endeavor. It made me feel as if I wanted to convey it to others, an attempt to make an often rare and elusive emotion more understandable or more endurable. And this could be my goal for the rest of my life.

  1. “Devil in the Dusk” is the tatile of a popular detective story published in installments in Ettela’at Magazine by Parviz Ghazi-Saeid before the 1979 revolution.
  2. Books appropriate for kids and young adults in Iran are put in A to G categories, from preschoolers (A) to high schoolers and above (G).


Born in 1972, Fereshteh Ahmadi is a graduate of architecture from The Univerity of Tehran. She started her literary career as a critic and writer in the 1990s. Her debut work, Nameless, is a story for young children. Her first short story collection named Everyone’s Sarah was released in 2004. “Television,” a short story in this collection, won the Houshang Golshiri Award in 2005. Her two novels The Forgetful Angel (or Fairy of Forgetfulness) and Cheese Forest, were both published in 2009 the former of which received the statuette of The Booksellers’ Best Book of the 2009 Rouzi Rouzegari Awards. Her latest book is a short story collection titled Heatstroke (2013). Fereshteh Ahmadi has been a jury member of Rouzi Rouzegari Awards and the Houshang Golshiri Award and resident writer at IACF.